Prose at Play: Watching “Kinderkranhenhaus” On Stage

"Kinderkrankenhaus"

Earlier this week, I was interviewing the writer Jeff Noon when the subject of his past as a playwright came up. Noon’s far from alone in having one foot apiece in the worlds of prose and theater; Samuel Beckett is probably the best-known example of someone doing interesting work in both disciplines, but Cormac McCarthy and Michael Frayn also come to mind. New York has seen a few examples this year of stage work by writers best known for their prose, including BAM’s staging of The Wife of Willesden, a play by Zadie Smith and the subject of this review, The Brick’s production of Jesi Bender’s Kinderkrankenhaus.

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The Secret Life of a Yak, With Demons: On Michael Cisco’s “Pest”

"Pest" cover

Two seemingly contradictory things can be true at the same time, and it is in the spirit of that timeless adage that I will make the next two sentences. Michael Cisco’s novel Pest is about a man who is also a yak, and Michael Cisco’s novel Pest is one of the more accessible works in the bibliography of one of the nation’s most singular writers of full-bore Weird fiction.

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An Insider’s Look at Publishing: Bethanne Patrick on Season Two of “Missing Pages”

"Missing Pages" logo

Last year saw the debut of Missing Pages, a new podcast about scandals in the literary world — and the larger issues that many of them reveal. After the podcast launched, I spoke with host Bethanne Patrick about its genesis. And now that we’re into the second season of Missing Pages — featuring episodes on the rise of Colleen Hoover, the ins and outs of ghostwriting, and the rise in book bans nationwide, among other topics — it seemed like time to check back in with Patrick to learn more about where the new season was headed and how the first season informed it.

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Sonny Smith on Making the Video For Sonny and the Sunsets’ “Shadows”

telephone pole shadows

There’s a bespoke feeling to “Shadows,” the new video from Sonny and the Sunsets’ new album Self Awareness Through Macrame. There’s a reason for that — namely, that the video consists of a series of 180 paintings by the band’s Sonny Smith. The whole record abounds with bittersweet and understated pop numbers, indicative of Smith’s impressive discography. As Jennifer Kelly wrote at Dusted, “He’s a master of twisting realism into gentle fantasy, so that it’s hard to say where the grit leaves off and the fairy dust starts.” I spoke with Smith about the process of making the video — and that interview, along with a closer look at some of his paintings, follows.

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Is “The Devil’s Cut” a Bargain Worth Accepting?

"The Devil's Cut" cover

Stop me if you’ve heard this one before: there’s this new comic book publisher, and they’re making a splashy debut with a new line of comics. There’s been a bit of that this year, but right now I’m here to talk about the new press DSTLRY and their recent anthology The Devil’s Cut, which features an impressive array of writers and artists, including the people behind several of my favorite comics of the last five years.

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If You Enjoyed “Killer of the Flower Moon,” Read “The Deaths of Sybil Bolton” Next

"The Deaths of Sybil Bolton" cover

I spent last Thursday afternoon in a Brooklyn theater watching director and co-writer Martin Scorsese’s adaptation of David Grann’s Killers of the Flower Moon, and I feel comfortable saying that I’m an admirer of film and book alike. But it’s worth pointing out that Grann’s book — terrific as it is — is not the only literary work to deal with the horrific murders that were aptly known at the time as the Reign of Terror.

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A Bravura Update of a Gothic Classic: On Addie Tsai’s “Unwieldy Creatures”

"Unwieldy Creatures"

I’d have called this review “The Post-Modern Prometheus,” but The X-Files got there first.

There’s a strong case that Mary Shelley’s Frankenstein — not to be confused with the Kenneth Branagh-directed film Mary Shelley’s Frankenstein — is the most influential work of fiction published since 1800. There are huge swaths of science fiction narratives in which humanity creates a new form of life only to see it rebel; it’s not hard to place Frankenstein at the heart of that.

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James Reich on the Haunted Landscapes of “The Moth For the Star”

James Reich author photo

It’s hard to find the right words to discuss James Reich‘s new novel The Moth for the Star. Is it a haunting tale of excess and murder in Depression-era New York City? A bizarre story of metaphysical warfare? A psychological study of generational trauma and repression? Arguably, it’s all of the above — along with some astronomy thrown into the mix. I spoke with Reich about his new novel’s genesis and the thematic concerns at its heart.

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