An LA Vampire Detour: On Todd Grimson’s “Stainless”

"Stainless" cover

Until earlier this year, the only novel I’d read by the late Todd Grimson was Brand New Cherry Flavor. That book was an absolute headrush, one part bizarre tale of the supernatural, one part cutting Hollywood satire. It was adapted for the small screen a few years ago by Nick Antosca and Lenore Zion; Antosca had long been an advocate for the book, and for Grimson’s work in general. And now there’s a stylish new edition of another one of Grimson’s novels out in the world: Stainless. This is also a story of the uncanny intersecting southern California; it’s also not what you might expect.

Continue Reading

Forget the Guidebook: A Review of Meghan Lamb’s “Mirror Translation”

Mirror Translation

Weird shit can happen when you’re far from home. To be clear, similar phenomena can also be experienced in your own backyard; still, there’s a long tradition of vacationers and expatriates making bad decisions while overseas. At their best, these stories can memorably evoke different forms of alienation; at their worst, they can play into alarming or nativist tropes.

Continue Reading

Jeff Jackson on the Evolution of Julian Calendar

Julian Calendar band photo

I’ve known writer Jeff Jackson for quite a while now, and one of the pleasures of that has been seeing his creative endeavors expand. To wit: the work that he and his collaborators in the band Julian Calendar have released in recent years: haunting post-punk with an expansive set of influences and a penchant for deconstruction. I spoke with Jackson about the group’s new album Speaking a Dead Language and their evolution since 2020.

Continue Reading

“Something Is Being Colonized Out Here”: An Interview With Nick Mamatas

Nick Mamatas

To read a Nick Mamatas novel is to encounter literary references and pulp storytelling smashed headlong into one another, then recombined in eminently compelling ways. His latest book is the novel Kalivas! Or, Another Tempest, which transposes elements of a certain Shakespeare play to a post-human California. I asked Mamatas some questions about the novel’s genesis, what drew him to The Tempest, and some of his other unlikely literary cross-pollinations.

Continue Reading

A Very Particular Nightmare: On Aoife Josie Clements’s “Persona”

Persona

The more horror I read, the more I’m convinced of an inalienable truth: for a horror story to work, it has to reflect something that terrifies the author. That might be something as simple as an evil clown holding a machete, or it could be something abstract and idiosyncratic. Aoife Josie Clements’s Persona is firmly in the latter category, I suspect, but it isn’t entirely clear just how far its author is willing to go until its conclusion.

Continue Reading