Who Gets to Tell Their Story? An Interview About Minor Figures in Famous People’s Lives With Julie Buntin 

Julie Buntin

There are infinite ways for our heroes to disappoint us. In Julie Buntin’s latest novel Famous Men, she explores an issue that too many women face: What happens when the men they look up to take advantage of their admiration? 

The novel follows the life of Wilhelmina (Will) Miles, a girl who grows up in the same small Michigan town as celebrity writer Nathaniel Fellow. His many books are the star of her mother’s bookshelf, one of which is signed with a sentimental note that makes Will wonder if he is actually the father she grew up without. So, when she finally moves away from home, she seeks him out in New York City. He promptly hires her as an assistant, seemingly as a favor, and makes an exception to let her audit his MFA classes. It doesn’t take long for his mentorship to morph into a secret relationship that shapes Will’s whole life and career as a writer. 

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“I Like When Things Get Gritty and Strange.”: Drew Nellins Smith on “Wince”

Drew Nellins Smith

It’s hard to keep up with new books. Two months ago I read Arcade, Drew Nellins Smith’s first novel. It’s a hard-to-pin-down book about cruising and coming out in Texas, centered around a seedy “adult store.” The book is bold, direct, often uncomfortable, often hilarious. It was published a decade ago. The day I finished reading it I learned Smith’s second novel was coming out soon. 

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Watching the Stars, by Hard Ways: An Interview With DW Ardern

DW Ardern

There’s a kind of transcendental experience to be had while watching the skies; there’s also a lot of isolation that comes along with it. In his new book Master of Starlight, DW Ardern tells the story of Olivier, an astronomer who calls a Moroccan hotel home. Gradually, Ardern reveals the reasons for Olivier’s de facto exile at the same time as two important figures from his past re-enter his life. It’s an evocative, unpredictable character study, and I sat down with Ardern over coffee to learn more about it.

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Everyday Nightmares: Charlene Elsby on “Poor Damned Souls”

Charlene Elsby

So I sat down with Charlene Elsby‘s Poor Damned Souls one evening and found myself reading a book about a relationship about to collapse. That quickly turned into something much bleaker, which evolved into a scenario that left me wondering how much worse things could get. It’s transgressive fiction at its best, and I chatted with Elsby to learn more about this book’s genesis.

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Music For Fictional Bookstores: An Interview with Real Estate’s Martin Courtney

Martin Courtney

Following an East Coast screening tour at independent bookstores, the pilot episode of new comedy sitcom Broadway Books was released in conjunction with National Bookseller Day last month. A charming alternative to the traditional film festival circuit, the literary-based television series is advertised both as a handmade antidote to the looming technocratic sprawl as well as a love letter to neighborhood bookstores everywhere. A former employee of the Upper West Side’s Book Culture — where the pilot was filmed on location — the series was created and directed by Carianne King and developed during a pilot writing class at the Upright Citizens Brigade. Originally a self-funded pandemic project, Carianne’s collaborative UCB experiences pushed the endeavor forward. In addition to King, the show’s skillful female creative production team comes courtesy of visual production company Mirmade.

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Adrian Nathan West on Translating Mario Vargas Llosa

Covers of two Mario Vargas Llosa books: Harsh Times and I Give You My Silence

What does it mean to translate the work of a Nobel laureate? That’s a task that writer and translator Adrian Nathan West has had to consider: among his body of work are translations of two novels by the late Mario Vargas Llosa. The two books — Harsh Times and I Give You My Silence — are tonally very different: one is a grim look at an inflection point in Latin American history, while the other follows one musicologist’s Quixotic quest to tell the story of a reclusive instrumentalist. I spoke with West about his experience with both books, and what he learned along the way.

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