There’s a lot going on in The Rachel Condition, writer and filmmaker Nicholas Rombes‘s followup to his excellent debut, The Absolution of Roberto Acestes Laing. In its broadest terms, it’s about a man sent to Detroit to infiltrate a countercultural group in search of a literary artifact. And if that was the full breadth of this novel, it would be compelling enough — but Rombes goes further. Slowly, it becomes clear that the version of Detroit (and of the United States as a whole) are not quite the same ones we’re familiar with. And it’s these small moments of dissonance which turn out to have huge implications on the story being told. I spoke with Rombes about the genesis of this book, his fondness for nestled narratives, and his own relationship to Detroit’s musical history.
