Delineating the Borders of the Weird: On “Gristle” and “Masterworks”

Mask

What happens with the quotidian and the uncanny collide? There was a point in my early 20s, when I’d started writing fiction but was still highly impressionable, when I began considering what it might be like if one combined a Raymond Carver-esque realism with Lovecraftian forays into cosmic horror. Behold, suburban repression with eldritch horrors glimpsed in the background, never quite making their way forward to devour souls and drive people to madness.

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