The New Old Noise: A Review, of Sorts, of “The Other Night At Quinn’s,” by Mike Faloon

Say we’re in Ithaca, New York. Or in a bookstore basement in Cleveland, folding metal chairs arranged in a loose semi-circle around an institutional podium. Or even a Chicago Sunday matinee, chairs this time arranged in gunmetal rows. The trappings remain the same. So does the reception, the usual reliable in each town, former zine contributors, people in bands, friends from school. The odd reader who found one of our books and came out.

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