
There’s something incredibly rewarding about getting to watch a writer evolve in real time. Case in point: Gabriel Blackwell, whose first few books included memorable postmodern riffs on the works of Raymond Chandler and H.P. Lovecraft. Nearly all of Blackwell’s books to date have had some overarching thematic conceit — from the shorter works collected in Correction to the meditation on the film Vertigo in the novel Madeleine E.






