There’s something uneasily evocative about a character defined by their absence. In the novel I’m working on now, I’m trying to summon up one of the central characters via the narratives of others, and it’s not an easy task. When this is done well, it can be breathtaking: consider Michael Kimball’s Dear Everybody, in which the assemblage of the novel turns the (offscreen) character into as vividly rendered a figure as the book’s ostensible protagonist. The books discussed this week make […]
Morning Bites: Nick Cave, Anne Carson Profiled, 50 Shades of Kate Moss, Virginia Woolf’s Servants, and More
Kate Moss reading 50 Shades of Grey. The New York Times Magazine Anne Carson profile has made our week. On Downton Abbey, Virginia Woolf, and English servants. “Nothing I do is ever equal to the ideas in my head. You do the best you can, you do it with patience and love, and then you give up.” – Lauren Groff is interviewed at Guernica. Spin the wheel on Nick Cave’s Spotify app. Bye bye 92YTribeca. Follow Vol. 1 Brooklyn on Twitter, Facebook, Google +, our Tumblr, […]
Afternoon Bites: Brontë in Miniature, Lonnie Holley’s Art and Music, Will Oldham’s Beer Songs, Bowie Collaborations, and More
“Perhaps best known as a visual artist, Holley began his artistic endeavors in the late ‘70s as a sculptor, carving two gravestones from scavenged foundry stone for his young nieces who had recently died in a house fire. He branched out into painting and found-material collage, using discarded scrap metal, wire, wood, and whatever else he was able to haul. A creative polymath, Holley released Just Before Music in November 2012 on Dust-to-Digital, his first recorded work to see the light […]
Band Booking: Talking Maxwell Perkins, DC Legacies, and the MC5 with Deathfix
Looking at the lineup of Deathfix, whose self-titled debut was just released on Dischord, might prompt all sorts of expectations of what one might hear on their album. Guitarist Brendan Canty was one-quarter of Fugazi; keyboard player Rich Morel has been a house producer and worked with Bob Mould. The rhythm section of Devin Ocampo (drums) and Mark Cisneros (bass) come from Medications. And yet the seven songs heard here fall into a sort of dark, rhythmic pop sound, anchored by […]
The Zinophile: Fine Times With the Literati – New Haven Punks, Desert Poetry, and Expat Fiction
It’s a question that was probably inevitable: where does the line between “zine” and “lit journal” exist? It’s one thing when you’re talking about an institutionally-sponsored version of the latter; when you talk about something inspired by a DIY mentality, does it ultimately matter what word is used to describe it? Throw in the way that doing something online lowers the bar to access and thus allows for a lot more writers’ voices to be heard. And you could make the […]
Poetry and Punks on The Bowery: Richard Hell’s “I Dreamed I was a Very Clean Tramp” Reviewed
I Dreamed I was a Very Clean Tramp By Richard Hell Ecco; 304 p. “Broadway had two shadow companions,” Luc Sante wrote in his book Low Life. “Starchy, upper-class Fifth Avenue on the one hand, and on the other the Bowery, the proverbial den of all vices.” Sante was writing about the Bowery as the street and neighborhood of mid-1800s to the early 20th century, but prior to the Civil War, farmland, estates, and theatres populated the area we recognize today […]
Morning Bites: Justin Bieber Fiction, Dawn Powell Archives, Turkish David Lynch, and More
Michael H. Miller on Teddy Wayne and Justin Bieber fiction. Columbia acquired the Dawn Powell archives. Claire Vaye Watkins won the Story Prize. Philip Roth talks about how he saturated himself over Kafka. David Lynch’s Blue Velvet gets the Turkish treatment. New England scalloping in the 1960s. Follow Vol. 1 Brooklyn on Twitter, Facebook, Google +, our Tumblr, and sign up for our mailing list.
Afternoon Bites: Sarah McCarry Talks Guillotine, Christgau on Richard Hell, Aaron Gilbreath on Jazz, Mary Robison, and More
Adam Thirlwell talked with The Story of My Purity author Fransesco Pacifico. “I wanted to put out chapbooks that are as beautiful as the ideas inside them.” Sarah McCarry talked about her Guillotine project with City Lights. Robert Christgau on Richard Hell’s music — and his memoir, I Dreamed I Was a Very Clean Tramp. Jay Walker’s library is stunning to behold. “The hippity-hop of Kelly’s piano, Mobley’s round, lush tone, and Blakey’s buoyant shuffle—if you want a glimpse into a happy soul, […]