
In our morning reading: an interview with Scott McClanahan, a new issue of On the Seawall, and more.

In our morning reading: an interview with Scott McClanahan, a new issue of On the Seawall, and more.

In our afternoon reading: new writing by Weike Wang, an interview with Kyle Seibel, and more.

Cultural historians cite Lamont Johnson’s 1972 drama, That Certain Summer, as television’s first foray into gay-themed storytelling. With its high-caliber cast—Hal Holbrook, Martin Sheen, Hope Lange, and young Scott Jacoby—it certainly carried the weight of a landmark moment. And while it does hold the distinction of being the first American production to tackle the subject with such gravity, it was not, in fact, the first time the lens had turned toward such themes. Years before in 1959, Britain’s ITV—as part of its Play-of-the-Week series—presented a television adaptation of Julien Green’s play, Sud (or South, as it came to be known). In the timeline of television history, this is the true pioneer; it was the first drama to quietly, daringly unveil gay-related motifs to a home audience. I stumbled upon a grainy clip of it on YouTube recently, and found myself instantly captured, wanting to know more. Like so many live broadcasts that, in those years, ran once then vanished into the ether, South was considered lost for years. In a wonderful bit of providence, the British Film Institute unearthed and restored it in 2013. Now, it waits available to watch on many media platforms.

In our morning reading: thoughts on Keith Ridgway’s new novel, a playlist by Kevin Powers, and more.

In our afternoon reading: the case for reading Alina Bronsky, recent book recommendations, and more.
We’re taking the weekend off for the holiday; posting will return on Monday.

There’s a kind of transcendental experience to be had while watching the skies; there’s also a lot of isolation that comes along with it. In his new book Master of Starlight, DW Ardern tells the story of Olivier, an astronomer who calls a Moroccan hotel home. Gradually, Ardern reveals the reasons for Olivier’s de facto exile at the same time as two important figures from his past re-enter his life. It’s an evocative, unpredictable character study, and I sat down with Ardern over coffee to learn more about it.

In our morning reading: chatting with Colson Whitehead, the end of “The Bear,” and more.

In our afternoon reading: thoughts on This Heat, the Ursula K. Le Guin Prize shortlist, and more.