Memory, Art, and Evocation: On Lucy Sante’s “My Heart & I Agree”

My Heart and I Agree

There are five poems at the beginning of Lucy Sante’s third collection of short pieces. I knew she started out as a poet but had never read one. I saw references to chapbooks online that were long out of print. When I asked her if there would be a poetry book forthcoming, she said these were the only good ones. I don’t know if I believe that. Sante has always been a writer of musical sentences and in these five small pieces we get to hear that music untethered from narrative. It’s an unexpected treat, like a bit of dessert before the main course.

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Brad Neely on “Creased Comics” and the World of Absurdism

Creased Comics

Brad Neely’s body of work encompasses everything from absurdist comic books to a revisionist take on a certain early president; he’s also written about the life of Ulysses S. Grant. His latest book, Creased Comics, encompasses decades of his work; in the pages within, readers will find everything from feral leprecauns to an especially enthusiastic shark. I spoke with Neely about a range of topics, from Arkansas punk to his fondness for history.

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Saving the One You Couldn’t Save: On “Surviving Derrida: A Politics of Friendship with Avital Ronell in Six Parts”

Surviving Derrida

In recollections of her friendship with Kathy Acker, Avital Ronell writes, “Derrida locates in surviving the origin and essence of friendship. Not empirically or chronologically clocked but fundamental, the structure of surviving means that one of you will be left behind, responsible and responsive to the intemporal, irretrievably mute other.” 

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Announcing the Cover of Matthew Wong Foreman’s “Sunset at Lion Rock”

Wong Foreman and book cover

We’re pleased to debut the cover art for Matthew Wong Foreman’s forthcoming novel Sunset at Lion Rock, set to be published by 7.13 Books on September 15, 2026. The novel, set in Hong Kong in the early 21st century, follows a young man experiencing a dramatic change in his beliefs about religion and politics. The author explained the significance of the cover:

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Bill Broady’s Novel Antidote: “There’s no ‘F’ in Wonderful”

There’s no 'F' in Wonderful

Dostoyevsky had a roulette system. Fine-tuning his method in Baden-Baden, he wrote to his brother in 1863 confidently laying down the fundamentals of his infallible method, which, once you weed out the giddiness and guff, amounts to this: bet more, and if you lose, bet even more. Pile on more money, eventually you’ll hit a winning streak. Of course, as might’ve been expected, Dostoyevsky never retired on his roulette winnings, instead finding himself broke and forced to write his sketchy novella The Gambler in a few days to get out of debt. The Gambler is Dostoyevsky’s casino hangover, but the Russian giant’s ego being what it was, even so soon after his losing bouts at the tables in those European spa towns, he still glorified a little in the casino world that’d almost destroyed him. 

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Everyday Nightmares: Charlene Elsby on “Poor Damned Souls”

Charlene Elsby

So I sat down with Charlene Elsby‘s Poor Damned Souls one evening and found myself reading a book about a relationship about to collapse. That quickly turned into something much bleaker, which evolved into a scenario that left me wondering how much worse things could get. It’s transgressive fiction at its best, and I chatted with Elsby to learn more about this book’s genesis.

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