Scenes From Portland Life: On Willy Vlautin’s “The Left and the Lucky”

The Left and the Lucky

Anytime I crack open a fresh Willy Vlautin novel, I brace myself to flip through a rolodex of misfortune. Most reviews of his work dutifully hit the same set of keywords to describe his worlds: downtrodden, fringe, bleak, down-and-out, hardscrabble, underbelly, endlessly sad—and my favorite, because it’s as spare and straightforward as Vlautin’s own prose: depressing. Vlautin himself once admitted in an interview with Oregon Artswatch, “That’s always been kind of a weakness of mine, making stuff too bleak.”

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Presenting the Cover of Mathieu Bablet’s Graphic Novel “Silent Jenny”

"Silent Jenny" cover art

In a 2019 review of Mathiew Bablet’s graphic novel Shangri-La, Augie De Blieck Jr. had plenty of great things to say about the book. “It’s beautifully drawn with a very cinematic eye,” De Blieck wrote. “If Bryan Hitch was French and wanted to draw manga, this would be the result.”

That graphic novel was the first book in a trilogy; this year, the concluding volume, Silent Jenny, is set for publication via Magnetic Press and ONI Press. A fundraising campaign is set to begin soon on Kickstarter; we’re pleased to debut the cover art above.

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