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Primarily, Debord longed to see the social order pass. He wanted a life without “dead time,” so he positioned himself as the enemy of the daily grind, a scourge to consensus. The “spectacle” was his name for the network of socio-cultural-economic forces with a vested interest in keeping people ensnared in a set of permissible routines: go to work, go home, watch TV, cheer on your favorite political team and, between those obligations, buy something.

– At Hazlitt, Christopher Byrd on the life, death, and legacy of Guy Debord twenty years after his death.

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