Like much of his work to date, Scott Esposito’s new book The Doubles evades easy categorization, yet also overwhelms the reader with a sense of its author’s personality and aesthetics. It encompasses several years in Esposito’s life, weaving in his impressions on one film that he saw in that year. The resulting book blends artistic disciplines, gives a fantastic sense of its author’s approach to film, and does a number of bold things with narratives along the way. I asked […]