A month or so ago, I went to an event for the Sarah Weinman-edited anthology of domestic suspense, Troubled Daughters, Twisted Wives. (Which, by the way, is fantastic.) The event featured Weinman in conversation with Hilary Davidson, and among the topics that came up were the definition of domestic suspense, and the way that it, as a genre, has passed in and out of popularity. I found myself thinking about domestic suspense a lot when I read Fiona McFarlane’s The Night Guest. […]