Working with Edmund White: Vignettes from Memory

Edmund White and Leo Racicot

The very first dirty word I ever heard out of Edmund White’s mouth wasn’t what I expected. I was expecting the OG of Gay Literature to blurt out cocksucking, finger fucking, felching, something like the no-holds-barred vocabulary of his books. But no. The first dirty word Edmund White uttered when I met him was “pussy”. We were sitting in choice orchestra seats at a production of Uncle Vanya at New York’s City Center when the curtain rose and leading lady, Cate Blanchett, appeared. She was this close to us. Ed leaned over and twittered, “I can see her pussy” which we actually could through her diaphanous underpants. We both howled like school girls, and I could tell Blanchett heard us and sent a scathing look our way. That made me like Ed immediately. That was also the time he told me the story of “awful Lillian Hellman” who, whenever she went to the theater and had to leave her seat, would deliberately step hard on the feet of the people in her row. “A meaner woman you never met.” Ed loved telling this story and repeated it many times at his apartment cocktail gatherings.

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A Candid Look Back: On Edmund White’s “The Loves of My Life”

"The Loves of My Life"

Edmund White has never let any barriers get in his way, not in his public life, not in his writing.

In his upcoming memoir, The Loves of My Life: A Sex Memoir, he chronicles a lifetime of sexual adventures: his furtive explorations with other similarly closeted boys, growing up in the Midwest, his not-unpleasant dalliances with women, in an attempt to “go straight”, his myriad sexual conquests once he had come fully out as a gay man, many of them men who would become the models for characters in his many fine novels. In this new book, White displays his trademark courage for taking on taboo subject matter, here writing so explicitly about sex that one wonders how the reading public in these ridiculously PC, “woke” times will react. But this was Mr. White’s life. And if a writer can’t write about his/her own life, what is he left to write about?

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An Intoxicating Chronicle of Desire: On Edmund White’s “A Previous Life”

"A Previous Life"

A Previous Life is unlike anything Edmund White has written, In fact, for the first thirty pages or so, I was sure the work couldn’t be White’s. But then the hallmarks of his style emerged: the easy juggling of plotline intricacies, the multi-character interactions, the trademark allusions to world art, classical composers, opera – White could handily depose Ken Jennings on Jeopardy so vast is his knowledge of culture, politics, history.

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