Posted by Josh Spilker I read Tyler McMahon’s How The Mistakes Were Made (St. Martin’s Press, 2011) with some anticipation: I’m a sucker for (most) rock music-related fiction. The world of bands in fiction always seems under-served to me and you would think there would be more natural overlap with how many music critics there are. How The Mistakes Were Made steps in quite nicely thank you, with a rise-from-obscurity 90s Seattle tale and a congruent one set in grittier […]